Alesis:
The Alesis BassFX DSP Pedalboard is based on proven Alesis DSP technology, and comes loaded with a huge array of 24-bit amp models, effects, and reverb. It features 40 user editable programs, an auto chromatic tuner, and an expression pedal input. Website:Alesis
Ashdown Engineering:
Ashdown Bass Effect Pedals come in six models. The Chorus Plus pedal is just for bass players. In addition to the standard Depth and Speed controls, the Plus part of this pedal can be switched in to provide flanging and a unique range of delay effects. The Drive Plus generates a wide range of bass distortion effects from a slight grunge through to no holds barred, high-gain overdrive. The Dual Band Compression splits the signal into high and low frequency bands and applies compression separately to both – fast attack and decay for the high frequency and slow attack and decay for the low frequency or fundamental waveform of the note. The amount of compression applied to each is independently variable and the balance between the high and low frequency components of the signal is also controllable as they are re-combined into a single, full range output. The Envelope Filter is capable of a wide range of effects from auto-wah through to spaced-out, auto-triggered funky tones, the sweep of the filter can be either up or down with selection of band-pass or high pass filter modes. A peak control is provided to deepen the ‘Q’ for more extreme effects and the depth of the effect is controlled by the volume of each note as it’s played, making this a truly creative and dynamic pedal. The James LoMenzo HyperDrive features a band of frequencies within the midrange of the bass signal which is filtered out and the distortion effect is added only to this band. The filtered frequencies can be ‘tuned’ to the precise range that gives the optimum effect. The degree of distortion available is variable from a subtle break up to huge overdrive, enabling a new range of extreme effects for bass to be created. The distortion effect can then be mixed with the original dry bass signal to maintain a powerful, full-bodied bass tone with distortion overtones. The Sub-Octave Plus generates a note one octave below the note being played, at the same volume and based on the waveform of the original signal. By blending the sub-octave note with the original signal, bass players can move from a subtle reinforcement of the sound to truckloads of bone-crushing tone. As a further Plus, distortion can be added to the sub-octave note, with the amount and tonal characteristics of the distortion both adjustable by the player. Website:Ashdown Engineering
Boss US:
The Boss Bass Pedals come in six models. The CEB-3 offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists. The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 it is also great for adjusting depth and bottom end of an upright bass with pickups. The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. the ODB-3 Bass OverDrive delivers the type of distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications. The SYB-5 utilizes the latest in DSP technology, the SYB-5 faithfully reproduces the classic sound characteristics of analog synthesizers with enhanced punch and power. The BF- 3 gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. Website:Boss US
Digitech:
The Digitech Bass Synth Wah is the most versatile bass envelope filter pedal on the market, with seven different bass envelope filter types to choose from. This delivers more envelope filter effects than any other bass envelope filter pedal available.Website:Digitech
Dunlop:
The Dunlop Wah Wah selections include the original Cry Baby, the classic that defined the sound, plus a variety of configurations that deliver unique, flexible tones and effects. The MXR effects have set the standard for tone and durability for 25 years. Website:Dunlop
Korg:
The Korg AX3B multi-effect processor. This on-the-floor, foot-switchable unit contains an array of 57 realistic effect types powered by Korg’s proprietary “REMS” modeling technology. Features include 40 user programs for creating and saving your own sounds. 40 preset programs are also provided, giving you a total of 80 programs for immediate selection; 16 drive/amp types recreate the sound of a variety of top-notch amps, and you can choose from ten different cabinet types; 57 types of “REMS” modeling effect variations are built in, and you can simultaneously use up to six different effects including noise reduction; full editing of all parameters for four effect categories (pre-effect, drive/amp, modulation, delay/reverb); and a built-in Auto Chromatic Tuner.Website:Korg
Moog:
The Moog Control Pedals include the MP-201 Multi Pedal which is a programmable four channel CV/MIDI foot pedal controller. It has four analog control outputs, MIDI In & Out and USB connectivity (MIDI over USB). It can transmit controller information on up to 4 MIDI channels and CV outputs simultaneously. The EP2 Expression Pedal features a new external output level control adjusts the range of the pedal’s effect; sweeping across the full or a limited spectrum.Website:Moog
ProCo:
The ProCo Pedals come in six models. The Rat 2 features the legendary the legendary RAT Filter control. Turn it to the right to roll off brittle high-end frequencies. Turn the Filter down and allow the natural brightness of your instrument to shine through. The Distortion and Volume controls dial in the perfect amount of gain while keeping the level consistent with your clean tone. The Turbo Rat is the most intense pedal in the RAT family. For those brave enough to harness its power, it provides a palette of distortion unequaled by any other pedal. This is why it has been a main ingredient in the post punk/indie rock movement of the past twenty years. The You Dirty Rat is the most classic sounding of all RAT distortion pedals. This pedal is the perfect middle ground between distortion and fuzz, combining the characteristic cutting RAT tone with the warmth of a classic fuzz-tone. The Solo features Asymmetrical Clipping - Three switchable selectable levels allow you to adapt your sound from a low wattage vintage tube amp effect, to a modern high wattage, high gain head unit. The scoop feature allows you to select the amount of mid range frequencies that you would like to remove. Used in concert with the tone control, you have an extremely wide and diverse tonal pallet from which to choose. The Duecetone Rate consists of two independent RAT units, each Deucetone channel can be used separately, in stereo, or cascaded together for the most insane distortion on earth. The Juggernaut Bass Rat is an updated version of the infamous Juggernaut, which was available from 1979 to 1984 as a custom order-only product. Back by popular demand, that classic design has been modified and improved upon to become the ultimate bass effects pedal. Website:ProCo
Roger Linn Design:
Roger Linn's Adrenalinn III features 40 enhanced amp models, reverb, tuner, compression, MIDI pedalboard capabilities, assignable foot switches and more.Website:Roger Linn Design
Roland:
The Roland Bass Pedals come in six models. The CEB-3 offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists. The GEB-7 The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups. The LMB-3 affords complete control over a bass guitar's dynamic range using a limiter effect and an enhancer circuit designed specifically for electric bass. The ODB-3 delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This compact pedal has been designed specifically for bass applications. The SYB-5 utilizes the latest in DSP technology, the SYB-5 faithfully reproduces the classic sound characteristics of analog synthesizers with enhanced punch and power. The BF-3 gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. Website:Roland
Samson:
The Samson Hartke AGX Acoustic Attack Pedal gives the acoustic guitar player the ability to dial in an acoustic tone that actually sounds acoustic while playing through an amplifier or PA system. The AGX emulates a tube/microphone preamp with a 3-band bass, treble and sweepable parametric mid EQ section. A must have tool for acoustic studio and stage performers. The VXL Bass Attack Pedal is a tone-shaping pre-amp that doubles as a direct box, featuring the famous Hartke Shape Circuitry. The two-button style stomp box has a three band EQ for adjustments of Bass, Treble, and Bright controls. Additionally it has a Harmonic control that emulates the warmth and drive of a tube so well that you’ll never want to turn it off. The Hartke Bass Attack Pedal gives you the ability to finally get the sound you want, and everything in between.Website:Samson
Seymour Duncan:
The Seymour Duncan SFX Series come in eight models. These include the Pickup Booster, Tweek Fuzz, Twin Tube Classic, Twin Tube Mahem, Lava Box, Paranormal Bass Direct Box, Shape Shifter and the Power Grid.Website:Seymour Duncan
TC Electronic:
TC Electronic has three series of pedals. The Nova Pedals come in four models including the Nova Modulator, Delay, Dynamics and Reverb. The Classic Pedals come in the Classic Sustain - Parametric EQ, the Classic Booster - Distortion and the Class TC XII Phaser.Website:TC Electronic
Tech 21:
The Tech 21 NYC XXL Base Edition's Warp™ control manipulates the structure and balance of odd and even harmonics and influences their relativity to the dynamics of your instrument and your playing style. In other words, you can achieve a variety of results, even within the same setting, depending on the manner and force of your pick attack. Originally in production from 1995-2000, some guitar players considered the XXL a little too over-the-top. Oddly enough, certain bass players seemed to like it just fine. So we decided to split the atom and try to make both camps happy.Website:Tech 21
.jpg)
.jpg)
.jpg)
Alesis:
The Alesis BassFX DSP Pedalboard is based on proven Alesis DSP technology, and comes loaded with a huge array of 24-bit amp models, effects, and reverb. It features 40 user editable programs, an auto chromatic tuner, and an expression pedal input. Website: Alesis